My practice is rooted in architectural thinking before it becomes design.

Trained in architecture and a graduate of the Beaux-Arts de Paris (MFA), I conceive furniture, objects and spaces as micro-architectures rather than isolated pieces.

Each form is governed by geometry, proportion and use, and conceived in direct relation to the body and to space. At the core of my work lies a research on the architecture of the curve. The curve is not decorative nor expressive: it is constructed, intentional and structural. It organizes space, defines circulation and generates inhabitable volumes.

My projects are conceived as systems — formal grammars that allow repetition, variation and spatial composition.

Material is a central subject of my practice. I explore hemp-lime bio-concrete, ceramics and mineral composites as architectural materials, carrying ecological, cultural and temporal dimensions. Matter is never treated as surface, but as structure.

Through Curvy World Studio, I develop collectible furniture, limited editions and interior architecture projects, combining conceptual rigor with technical feasibility.

I do not design objects to decorate space — I design forms that construct space.

Curvy World develops furniture and spatial systems conceived to be edited, installed and deployed across galleries, hospitality projects, retail spaces and architectural contexts.